The delay line is equally minimal, with a classic and ping-pong mode selectable, which are firmly synced.Ĭan’t say I’m a huge fan of the EQ, the three bands are fine, but gain appears to be applied globally across all three bands.Īll these elements center around a gigantic X/Y pad at the center of the interface. The reverb lacks controls but is fine as a built-in audio effect.

The phaser sounds quite nice and has a genuine syrupy nature when running your trance arps. All three LFOs can be assigned to each selectable voice, with oscillators one through four and the sub-oscillator and noise generator ready for sonic weirdness.įour master effects are present, with a phaser, EQ, reverb, and delay all being accounted for. These are both readily modulated and lend Azimuth to some interesting patches full of movement and vitality.įor modulation, there is a trio of LFOs, one for the gain, filter, and pitch. The first filter you can specify per voice, while the second voice is a global filter. There are a pair of multimode filters with various modes you can flip through. The voices can also be delayed, which lends itself to some interesting effects depending on how you construct your presets. The wavetable engine is perfunctory and adds a wonderful flavor to things, but don’t expect cross-engine modulation and sound destruction.Įach of the four oscillators is readily panned, creating some wonderful stereo effects for big wide pads. The interface is a single page, with all parameters visible and legible.įour oscillators drive the core sound of Azimuth, with each being capable of eight voices of unison per voice. On its surface, Azimuth is a clear and easy-to-read synth. TheSynthFactory has debuted Azimuth, a virtual analog and wavetable synthesizer for Mac and Windows computers.

Wave sequencing synthesizer